I’ve had the honor of working on Halo for nearly two decades, and I’ve been lucky to share so many incredible moments with players along the way. Today’s announcement is one I’ll never forget: Halo is coming to PlayStation.

For nearly 25 years, Halo has offered players an epic sci-fi universe to explore, unforgettable characters to meet, and exhilarating gameplay to experience together. From large-scale battles to friendships formed over late-night co-op sessions, Halo has always been more than just a game – it’s about the players who’ve made it part of their lives. 

From the beginning, we wanted to build a world with stories and experiences that bring people together. And now, for the first time, PS5 players will get to be part of that journey too.

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Last week, we asked you to share beautiful landscapes in Ghost of Yōtei using #PSshare #PSBlog. Here are this week’s highlights:

ForgottenJasmin shares a forest of red-leaved trees framing a castle fortress

SheikhSadi80 shares a sea cliffside view

DeathStalker131 shares a mountain shrine view

valeria_ame shares horses running past Mount Yōtei at sunset

call_me_xavii shares Atsu strumming her shamisen in front of her home’s ginkgo tree

Leumir4 shares a shrine and Mount Yotei framed by cherry blossoms

Search #PSshare #PSBlog on X or Instagram to see more entries to this week’s theme, or be inspired by other great games featuring Photo Mode. Want to be featured in the next Share of the Week?

THEME: Spooky
SUBMIT BY: 11:59 PM PT on October 29, 2025 

Next week we’re ready for a fright. Share moments from the spooky game of your choice using #PSshare #PSBlog for a chance to be featured. 

Need some inspiration? Explore PlayStation Plus October chills and thrills like Silent Hill 2, Alan Wake 2, Until Dawn, V Rising, and more.

Ghost of Yōtei has been a labor of love for Sucker Punch, and we’re happy to have it out in the world for everyone to play. Now that players have gotten a taste of the game, we thought this was a good opportunity to talk a little bit about the technology that helped get us here.

Coming off of what we achieved with Ghost of Tsushima, the project vision for Ghost of Yōtei put a stronger emphasis on a player’s sense of freedom in an untamed wilderness. This meant striving for less intrusive ways to guide players, beautiful environments with longer sightlines, more flexible weapon combat, memorable characters with personality, and emotional story moments. Trying to do all this while maintaining a good frame rate is clearly a challenge.

So, let’s dig into a few aspects of the technology we used to create Ghost of Yōtei!

Wandering a wild world

In prototyping our vision for free exploration, we found it most effective if players could gaze across a beautiful landscape and follow their curiosity to find the game. From a technical perspective, landing that feeling required longer sight lines, meaning better rendering for grass, terrain and mountains into the distance.

We improved the appearance of distant mountains by baking models and detailed terrain materials into textures that we could display at higher detail. We also doubled the amount of grass and renderable items our GPU compute renderer is allowed to produce. In this shot, the distant mountains with over one million trees, rocks, and bushes are culled down to about sixty thousand individual items that we render to generate our G-buffers to build the final image.

We use procedural assisted authoring techniques and lean heavily on GPU compute to process all of these instances efficiently without CPU involvement. This involves sequences of compute jobs to perform occlusion culling, memory allocation, fill out draw records before we readback that information on the CPU to stitch into the final command lists for the frame. Here’s an animation of a similar shot with all GPU drawn geometry animating into place to give you a sense of the scale involved. We use these techniques for runtime generated data as well like our broad fields of flowers, and even occasionally for things like ropes and chains.

To give each area of the world a unique flavor, we built interaction systems that help emphasize their themes. Much of the world has grass or small plants, and in addition to deforming with wind and character motion, we added a system that renders weapon sweeps into a “cut buffer.” This buffer is then sampled by cuttable geometry and is used to spawn particles with the geometry above the cut. This allows Atsu to cut most grass, flowers and small plants in the game.

For the first time ever, the Gran Turismo World Series is heading to Los Angeles, and you are invited to join the celebration at the inaugural GT World Series Fan Fest, a full day event dedicated to the passion, culture, and community that define Gran Turismo. 

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Battlefield 6 has blasted onto the FPS scene, revitalizing Electronic Arts’ franchise with a return to classic elements and a hefty dose of widespread destruction. But its October 10 release was just the beginning. Developer Battlefield Studios has more free content coming for the game, starting with its first season, which kicks off on October 28 and runs to November 11.

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